TK-001Maroon mirror-work bridal blouse
All-over diamond jaal with square mirror waist band and bead fringe
ஜரி வேலை
Gold and silver thread work. The grade of the zari decides whether a blouse still looks like this in ten years, and it is worth asking about before the design is agreed.
Ask about thisEverything below is about one question that almost nobody asks before agreeing a price.
Gold-finish thread ranges enormously in quality and the difference is invisible on the day. Cheap zari tarnishes, and near this coast it tarnishes faster, because humidity is what does it. A blouse that looked correct at the wedding can look tired by the time it comes out for the next function. Paying more for it at the start is the whole of the difference, and it is not a large sum against the cost of the work itself.
Ask what grade is being used. Anybody doing the job properly will not mind the question.
A blouse worked in zari with no stone at all is faster, considerably lighter to wear, and traditional. It also photographs without the hard flare stone gives under a flash. For a reception, a temple function or anything worn for a long morning, thread alone is often the better answer and it is rarely offered.
Zari tone should be matched to the jewellery a bride will actually wear, and antique gold and bright gold do not sit together. Bring the jewellery, or a photograph of it, before the design is agreed.
TK-001All-over diamond jaal with square mirror waist band and bead fringe
TK-002One big central sunburst mandala rather than scattered motifs
TK-003Mirror-image mango paisleys meeting at a sweetheart neckline
TK-004Restrained ivory-on-ivory pearl vines, lightest piece in the set
TK-005Turquoise accents and rows of embroidered jhumka bells
TK-007The lattice idea of TK-001 in pink stone with a drop fringe
TK-008Art-deco fan shells on velvet, the only black piece here
TK-009Necklace-style kundan chainwork instead of solid filling
TK-010The only design with figurative elephants and a temple shrine
TK-011A yoke shaped like a necklace with hanging chandbali drops
TK-012Pink shaded lotus centrepiece and a scalloped sleeve hem
TK-013Purple ground with round mirrors and a teardrop back collar
Nobody will give you a single rate, and anybody who does is guessing. Here is what actually moves the price of a hand-worked blouse, and how to tell a fair quote from a cheap one.
Half this market searches for one word and half for the other, and a lot of people believe they are choosing between two crafts. They are not. Here is where the two names came from.
Hand work outlasts the fashion it was made for, but only if it is stored and cleaned properly. Six rules, and the one mistake that ruins more blouses than everything else combined.
A photograph of what you have in mind and the date you need it by is enough to quote from.