TK-019Red peacock bridal blouse
A full fanned peacock across the back with jewelled feather eyes
மயில்
The most asked-for motif in bridal aari work, and the hardest to do badly unnoticed. A peacock lives or dies on the tail - the spacing between the feathers is where hand work separates from machine work.
Ask about thisThe peacock is the most asked-for motif in South Indian bridal work, and the one where poor work is most obvious.
A peacock has a head, a neck, a body and a tail, and each of them has to be a different density of work for the bird to read as a bird. Get that wrong and it becomes a patch of stone with an eye. The tail is what people look at, and a good tail has graded work with the fill loosening as it fans out, not a solid block.
Because it is difficult, a peacock is a fair way to judge somebody's hand work from a photograph before you commit anything to them.
One bird set off centre, with the tail sweeping down and across, suits a deep V or a sweetheart shape better than anything else, because the sweep of the tail agrees with the line the shape is already drawing. Two facing peacocks work on a round or square neck. On the back, one large bird with a hanging tassel below it is a classic for good reason.
Fashions in blouse design move. This one does not, which is a reasonable argument for choosing it on a piece you want to wear more than once.
TK-019A full fanned peacock across the back with jewelled feather eyes
TK-024A small enamel-look peacock medallion centred on the chest
TK-035Two-tone teal body with purple contrast sleeves
TK-042A peacock framed in a temple arch, shown in macro detail
TK-048The peacock-feather idea of TK-052 in a brighter pink and a roomier layout
TK-052Very close to TK-048; a deeper magenta and a denser feather fan
TK-062Peacock feather eyes ringing the back neck
TK-063A mustard ground with paired peacocks and a maroon bead fringe
TK-065Temple lamp and gopuram centrepiece on the back panel
Eight decisions, in the order they actually matter. Get the first three right and the rest are easy; get them wrong and no amount of good embroidery rescues it.
The neckline is what appears in every photograph taken from the front, and it is the cheapest place to put real hand work. Which designs suit which shape, and the mistake almost everybody makes.
A photograph of what you have in mind and the date you need it by is enough to quote from.