TK-001Maroon mirror-work bridal blouse
All-over diamond jaal with square mirror waist band and bead fringe
பட்டு
Kanchipuram and soft silks take hand work well and carry weight without distorting, which is why most bridal work is on silk.
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TK-001All-over diamond jaal with square mirror waist band and bead fringe
TK-002One big central sunburst mandala rather than scattered motifs
TK-003Mirror-image mango paisleys meeting at a sweetheart neckline
TK-004Restrained ivory-on-ivory pearl vines, lightest piece in the set
TK-005Turquoise accents and rows of embroidered jhumka bells
TK-006Jasmine buds in pearl on sage, full-length sleeve piece
TK-007The lattice idea of TK-001 in pink stone with a drop fringe
TK-010The only design with figurative elephants and a temple shrine
TK-011A yoke shaped like a necklace with hanging chandbali drops
TK-012Pink shaded lotus centrepiece and a scalloped sleeve hem
TK-013Purple ground with round mirrors and a teardrop back collar
TK-014Heart-shaped pearl-outlined back cut-out with a hanging tassel
Eight decisions, in the order they actually matter. Get the first three right and the rest are easy; get them wrong and no amount of good embroidery rescues it.
Hand work outlasts the fashion it was made for, but only if it is stored and cleaned properly. Six rules, and the one mistake that ruins more blouses than everything else combined.
A photograph of what you have in mind and the date you need it by is enough to quote from.